Artists tend to evolve over the course of their careers. Whether it's just a natural development like growing up or a switching of record labels to state more of an independence, music styles could swiftly change and the singer, if they haven't had the chance before, could take a shot at writing some of their material.
One example of a person that shifted their career trajectory is Miley Cyrus, former Disney Channel darling who broke out of that mold (and out of the associated record company), chopped off all her hair and bleached it, and became associated with twerking and 'dancing with Molly' in the summer of 2013. It was an abrupt but not exactly unexpected swing, what with the more sexual imagery involved with her 2010 album Can't Be Tamed (which was pretty much just a typical Miley Cyrus album at the time, TBH) and the fact that Hannah Montana was ending, and with no hope of appearing on a future Disney show, it shouldn't be a surprise that something did happen. However, I was still shocked by these changes. I grew up watching and adoring Hannah Montana and Miley Cyrus, and I guess I was still stuck in time or expecting that she would be the down to earth girl like Hilary Duff on Lizzie McGuire all those years ago. Besides, my 13 year old brain was baffled and confused by the idea of Miley Cyrus still being a role model for young girls when she was talking about doing drugs in the bathroom in "We Can't Stop" (which was fine until it was played to death at a camp I went to that summer; after that I wanted to scream every time I heard it).
Fast forward another two years, and Miley had established the non-profit organization The Happy Hippie Foundation (which sounds pretty cool, actually, although I'm not exactly sure what they do) and released a new album you could stream for free: Miley Cyrus & Her Dead Petz (yes, that is 'pets' with a 'z'). It was an experimental record that was panned by YouTube critics and baffled me from the little that I listened to on Soundcloud (although I have listened to almost all of "Dooo It!" and the entire "BB Talk", which will be eight minutes of my life that I unfortunately won't get back). While I understand the idea of Cyrus wanting to exert more creative control, that didn't help the album from being very uncomfortable to the bits I listened to and for me to cringe at the lyrics I read. It's a complete jump into the pool of debauchery, and while that might be fun for some people, I prefer my cereal without milk, thanks.
Let's step off the Miley train and start talking about the evolution of Ariana Grande instead. She first became popular on the Nickelodeon show Victorius as Cat (the redhead who progressively got dumber as the show went on) before skyrocketing onto Top 40 radio with her debut single "The Way" with Mac Miller (she had released her first debut single called "Put Your Hearts Up" in 2011, which she later scrapped because she felt it didn't represent the style she was going for and felt inauthentic). Her debut album Yours Truly was a pop-R&B crossover that was cutesy and fun but didn't really deviate much from its main template, even though her voice was easily one of the strongest points on the album (it was also a really consistent and strong record overall). Her next record that was released a year later, My Everything, showcased Grande hopping from genre to genre with the help of several different producers, including Zedd, Tommy Brown (who had produced some of the tracks on Grande's first album), and some of Sweden's hottest that have produced countless pop tracks: Max Martin and Ali Payami. Although that album wasn't nearly as cohesive in the production, Grande grew as a performer vocally and thematically, opting for more sensual material that really elevated her to the next level (plus, she had a couple more songs she co-wrote). Both records have their own strengths, and it's been really fun to re-listen to them in preparation for Dangerous Woman.
Originally titled Moonlight coupled with the lead-off single "Focus", the idea was scrapped ("Focus" wasn't included on any of the album editions except on Japan's deluxe) and Dangerous Woman came to life with the title song being the new first single. It was definitely an edgier style from Grande that I wasn't expecting, and it definitely made me more excited for the album to come, especially since it seemed she was taking one more step into making her material as mature as possible.
So how was Dangerous Woman? Was it the treat that I was expecting it to be? Or did it disappoint and made me view it as more of a trick?
One example of a person that shifted their career trajectory is Miley Cyrus, former Disney Channel darling who broke out of that mold (and out of the associated record company), chopped off all her hair and bleached it, and became associated with twerking and 'dancing with Molly' in the summer of 2013. It was an abrupt but not exactly unexpected swing, what with the more sexual imagery involved with her 2010 album Can't Be Tamed (which was pretty much just a typical Miley Cyrus album at the time, TBH) and the fact that Hannah Montana was ending, and with no hope of appearing on a future Disney show, it shouldn't be a surprise that something did happen. However, I was still shocked by these changes. I grew up watching and adoring Hannah Montana and Miley Cyrus, and I guess I was still stuck in time or expecting that she would be the down to earth girl like Hilary Duff on Lizzie McGuire all those years ago. Besides, my 13 year old brain was baffled and confused by the idea of Miley Cyrus still being a role model for young girls when she was talking about doing drugs in the bathroom in "We Can't Stop" (which was fine until it was played to death at a camp I went to that summer; after that I wanted to scream every time I heard it).
Fast forward another two years, and Miley had established the non-profit organization The Happy Hippie Foundation (which sounds pretty cool, actually, although I'm not exactly sure what they do) and released a new album you could stream for free: Miley Cyrus & Her Dead Petz (yes, that is 'pets' with a 'z'). It was an experimental record that was panned by YouTube critics and baffled me from the little that I listened to on Soundcloud (although I have listened to almost all of "Dooo It!" and the entire "BB Talk", which will be eight minutes of my life that I unfortunately won't get back). While I understand the idea of Cyrus wanting to exert more creative control, that didn't help the album from being very uncomfortable to the bits I listened to and for me to cringe at the lyrics I read. It's a complete jump into the pool of debauchery, and while that might be fun for some people, I prefer my cereal without milk, thanks.
Let's step off the Miley train and start talking about the evolution of Ariana Grande instead. She first became popular on the Nickelodeon show Victorius as Cat (the redhead who progressively got dumber as the show went on) before skyrocketing onto Top 40 radio with her debut single "The Way" with Mac Miller (she had released her first debut single called "Put Your Hearts Up" in 2011, which she later scrapped because she felt it didn't represent the style she was going for and felt inauthentic). Her debut album Yours Truly was a pop-R&B crossover that was cutesy and fun but didn't really deviate much from its main template, even though her voice was easily one of the strongest points on the album (it was also a really consistent and strong record overall). Her next record that was released a year later, My Everything, showcased Grande hopping from genre to genre with the help of several different producers, including Zedd, Tommy Brown (who had produced some of the tracks on Grande's first album), and some of Sweden's hottest that have produced countless pop tracks: Max Martin and Ali Payami. Although that album wasn't nearly as cohesive in the production, Grande grew as a performer vocally and thematically, opting for more sensual material that really elevated her to the next level (plus, she had a couple more songs she co-wrote). Both records have their own strengths, and it's been really fun to re-listen to them in preparation for Dangerous Woman.
Originally titled Moonlight coupled with the lead-off single "Focus", the idea was scrapped ("Focus" wasn't included on any of the album editions except on Japan's deluxe) and Dangerous Woman came to life with the title song being the new first single. It was definitely an edgier style from Grande that I wasn't expecting, and it definitely made me more excited for the album to come, especially since it seemed she was taking one more step into making her material as mature as possible.
So how was Dangerous Woman? Was it the treat that I was expecting it to be? Or did it disappoint and made me view it as more of a trick?
